I sketch my morning
in pencil lead grey,
not trusting myself with ink
in the pale pink
of dawn.
I turn the coffee on.
Then, the news.
Both brew black,
and my mood swings back
and forth
from navy to cobalt,
from cerulean to indigo,
before settling
on plain old February blue.
For the Wednesday Challenge at Real Toads
Blog Archive
-
▼
2012
(256)
-
▼
February
(24)
- February Blue
- Light And Its Lack
- Erecting A Masterpiece
- Through Dirty Glass
- Meditate
- Other Side Of The Break
- Gifts
- Poor John
- Workings
- Flirtation
- Waiting
- Cutting Words
- Little Brown Bird
- The Eternal Question
- Give Me A Hallelujah!
- There Will Come A Night
- In My Hands
- Pick
- Dead Girls
- Thoughts
- Threadin' The Needle
- Musings Of A Southern Lady
- Corn Mother
- Crook Or Craft
-
▼
February
(24)
Wednesday, February 29, 2012
Tuesday, February 28, 2012
Light And Its Lack
It's all light,
and its lack.
Words you can't take back
once they've cleaved a heart.
Shadows and saintliness
mingling
on a single sepia page.
Memories
manufactured
to suit the season.
For Open Link Night at dVerse
and its lack.
Words you can't take back
once they've cleaved a heart.
Shadows and saintliness
mingling
on a single sepia page.
Memories
manufactured
to suit the season.
For Open Link Night at dVerse
Monday, February 27, 2012
Erecting A Masterpiece
![]() |
Unfortunately, the "Modern Warhol" movement aroused little interest, and the artist's flaccid sales failed to rise.
Sunday, February 26, 2012
Through Dirty Glass
The moon
is still the moon;
through dirty glass
she glimmers low,
but starshine
has no chance of getting through.
The wind
is still the wind;
through dirty glass
I've watched her blow
the pages of the days -
nothing's new,
nothing's new,
nothing's new.
For Poetics at dVerse
Also submitted to Poetry Pantry
Saturday, February 25, 2012
Meditate
Birdsong on a chain
rests between my breasts.
It was all that I could save
when I stumbled
on the nest
in flames.
Bible in my bag.
Knife tucked in my boot.
Sowing both sides of the seed.
Both sides taking root,
so I meditate
on inner peace
and payback.
rests between my breasts.
It was all that I could save
when I stumbled
on the nest
in flames.
Bible in my bag.
Knife tucked in my boot.
Sowing both sides of the seed.
Both sides taking root,
so I meditate
on inner peace
and payback.
Friday, February 24, 2012
Other Side Of The Break
With every dream walks
waking just the other side
of day's brittle break.
For the Haiku Challenge - Day 24
waking just the other side
of day's brittle break.
For the Haiku Challenge - Day 24
Thursday, February 23, 2012
Gifts
I come bearing gifts;
loose nimbus hair, perfumed feet,
a single flower.
A single flower
to press between the pages
of my trembling thighs.
Trembling thighs that ache
for your rough, vagabond touch.
I come bearing gifts.
for the Haiku Challenge - Day 23
Also submitted to the "Writing Visual"
prompt at dVerse
loose nimbus hair, perfumed feet,
a single flower.
A single flower
to press between the pages
of my trembling thighs.
Trembling thighs that ache
for your rough, vagabond touch.
I come bearing gifts.
for the Haiku Challenge - Day 23
Also submitted to the "Writing Visual"
prompt at dVerse
Wednesday, February 22, 2012
Poor John
![]() |
| Enosh Bansode Photography |
For her dance,
the King would grant her
anything . . .
Pair o' pretty feet
cost poor John his head, his head.
Pair o' pretty feet.
Pair o' shapely legs,
now poor John is dead, is dead.
Pair o' shapely legs.
Pair o' swaying hips
cost poor John his head, his head.
Pair o' swaying hips.
Pair o' lying lips,
now poor John is dead, is dead.
Pair o' lying lips.
for the Haiku Challenge - Day 22
Tuesday, February 21, 2012
Workings
I've got snow too pure to fall,
a shiny silver dollar,
and three vintage shades of moonlight.
I wear Cleopatra's gold
when I walk the dusty road
between your house and mine.
I've got a ripeness to my hips
and the right words on my lips
standing 'neath your porch light.
Coffee in a thermos,
peach pie in a basket,
and the workings of the night.
For Open Link Night at dVerse
a shiny silver dollar,
and three vintage shades of moonlight.
I wear Cleopatra's gold
when I walk the dusty road
between your house and mine.
I've got a ripeness to my hips
and the right words on my lips
standing 'neath your porch light.
Coffee in a thermos,
peach pie in a basket,
and the workings of the night.
For Open Link Night at dVerse
Sunday, February 19, 2012
Flirtation
| Photo by Reena Walkling |
delicate as dying breath,
a bodice loosened
slowly by the sun.
She bares her windswept breasts, but
leaves her stockings on;
her February
flirtation, a melting dance
without commitment.
For the Haiku Challenge - Day 19
and Poetics at dVerse
Friday, February 17, 2012
Waiting
![]() |
| Apple Blossom's Photography |
The weight of waiting
wears on a woman when there's
nothing worth the wait.
For the Haiku Challenge - Day 17
Wednesday, February 15, 2012
Cutting Words
When every word's a
cutting word, the number of
words doesn't matter.
When every season
is winter only a fool
puts her hope in spring.
When you come after
the last one wanted, every
number's unlucky.
When you come before
desire, you learn desire comes
before everything.
cutting word, the number of
words doesn't matter.
When every season
is winter only a fool
puts her hope in spring.
When you come after
the last one wanted, every
number's unlucky.
When you come before
desire, you learn desire comes
before everything.
Tuesday, February 14, 2012
Little Brown Bird
She sings
to still the wind
and stop
her brittle branch
from swaying.
A little brown bird
who strayed
from southern routes
and stayed
near home.
I cup my hands
and call,
"Come!
I'll nest you through
the winter."
But little brown bird
prefers
to brave the wind
and sing alone.
For Open Link Night at dVerse
to still the wind
and stop
her brittle branch
from swaying.
A little brown bird
who strayed
from southern routes
and stayed
near home.
I cup my hands
and call,
"Come!
I'll nest you through
the winter."
But little brown bird
prefers
to brave the wind
and sing alone.
For Open Link Night at dVerse
Monday, February 13, 2012
Sunday, February 12, 2012
Give Me A Hallelujah!
Blessed black and white!
Rigid lines carefully drawn
save souls . . . from thinking.
GIVE ME A HALLELUJAH!
Save souls from thinking.
Carefully draw rigid lines.
Blessed black and white.
A Naisaiku for the Haiku Challenge: Colors (I chose the colors black and white).
Also submitted to dVerse.
Rigid lines carefully drawn
save souls . . . from thinking.
GIVE ME A HALLELUJAH!
Save souls from thinking.
Carefully draw rigid lines.
Blessed black and white.
A Naisaiku for the Haiku Challenge: Colors (I chose the colors black and white).
Also submitted to dVerse.
Saturday, February 11, 2012
There Will Come A Night
![]() |
| Photo by Talon |
when I'll burn your letters
one by one
while sad songs
drift around me
soft as ashes.
That same night
I'll cleanse your kisses
from my lips
with wine
and wash my hands
of this
for good.
Just not tonight.
For the Photo Challenge at Real Toads
Friday, February 10, 2012
In My Hands
These years I've spent collecting bones
have worn my fingerprints away,
and left my hands as smooth as stone,
as blank as id's half-shadowed face.
Without a hint of proof or trace
of truth to who I claim I am,
will you let me in, let me stay,
and feel the story in my hands?
These years I've spent arranging stones
have torn my back and taxed my brain.
Well enough not left alone
creates its own peculiar strain.
And pain creeps in to fill the space
left bare when you've done all you can
to build the barrenness away.
Can you feel the story in my hands?
These years I've spent neglecting home,
I scorn them now as tragic waste.
The time I've lost while I was gone
is time that cannot be replaced.
I run, knowing I'll lose the race
to love, forgive, to understand
and be understood; past erased.
Can you feel the story in my hands?
When all of this has passed away,
may I find what comfort that I can -
all those things that I couldn't say,
you felt the story in my hands.
This is a little loose with rhyme and syllable count, but I think it's still a Ballade. Submitted to dVerse.
have worn my fingerprints away,
and left my hands as smooth as stone,
as blank as id's half-shadowed face.
Without a hint of proof or trace
of truth to who I claim I am,
will you let me in, let me stay,
and feel the story in my hands?
These years I've spent arranging stones
have torn my back and taxed my brain.
Well enough not left alone
creates its own peculiar strain.
And pain creeps in to fill the space
left bare when you've done all you can
to build the barrenness away.
Can you feel the story in my hands?
These years I've spent neglecting home,
I scorn them now as tragic waste.
The time I've lost while I was gone
is time that cannot be replaced.
I run, knowing I'll lose the race
to love, forgive, to understand
and be understood; past erased.
Can you feel the story in my hands?
When all of this has passed away,
may I find what comfort that I can -
all those things that I couldn't say,
you felt the story in my hands.
This is a little loose with rhyme and syllable count, but I think it's still a Ballade. Submitted to dVerse.
Thursday, February 9, 2012
Tuesday, February 7, 2012
Dead Girls
Dead girls don't
wear diamonds or pearls.
Rubies rot
in the dark.
Dead girls polish bones
and call it art.
A Magpie Tale for dVerse
Monday, February 6, 2012
Thoughts
My thoughts are labeled,
boxed, arranged tidily
row by row by row,
except when
I
think about you.
Haiku and Pi-ku (Pikachu?) for the Haiku Challenge
Also submitted to Real Toads
boxed, arranged tidily
row by row by row,
except when
I
think about you.
Haiku and Pi-ku (Pikachu?) for the Haiku Challenge
Also submitted to Real Toads
Saturday, February 4, 2012
Threadin' The Needle
| Google Image |
It ain't the mendin' that's hard,
it's threadin' the needle.
If you got that ole cheap thread,
it frays at the ends
no matter how you lick and twist.
But, even the high-dollar stuff bends like the devil
when you get it to the needle's eye.
You can squint and study
and think you got it all lined up on the straight and narrow,
only to miss it by a mile.
But, whatcha gonna do, but try to get it lined up again?
Ain't gonna be no mendin'
'less you get through the eye of that needle.
Friday, February 3, 2012
Musings Of A Southern Lady
Temptation and Confession
Honey, at my age,
temptation is tarnished silver;
the pretty's still there,
but's it's too much work to get to.
***
I admit that in the past
I was led into temptation
once or twice,
but no more!
These days,
you have to carry me.
***
As for confession,
honey, I'm a Baptist.
We don't believe in confession.
We believe in keeping your mouth shut
till you're caught.
Bless your heart!
For the Fireblossom Friday prompt at Real Toads
Thursday, February 2, 2012
Corn Mother
Whisper, Corn Mother.
Call my feet to fallow fields.
Fill my hands with seed.
Teach me, Corn Mother,
songs of earth and second sight
to tend the growing.
Bless me, Corn Mother,
in the ripening of this
furrowed, fertile womb.
According to Cherokee legend, the First Woman is the Corn Mother, goddess of the corn.
Haiku Challenge: Day 2
Wednesday, February 1, 2012
Crook Or Craft
By crook or craft or
pale moonlight, I'll have your lips
'fore the pass of night.
And, I'll have your skin,
bloodless and bare, wrapped round my
bones; I'll have your hair.
Your skull, your spine, your
tend'rest parts. But, fear not, love,
you can keep your heart.
For Sensational Haiku Wednesday
pale moonlight, I'll have your lips
'fore the pass of night.
And, I'll have your skin,
bloodless and bare, wrapped round my
bones; I'll have your hair.
Your skull, your spine, your
tend'rest parts. But, fear not, love,
you can keep your heart.
For Sensational Haiku Wednesday
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About Me
- Maude Lynn
- Anybody who has survived his childhood has enough information about life to last him the rest of his days. ---Flannery O'Connor





